Meet Corky Loupe (The Oiler)
Why do you think the world has been so fascinated with the legend of Nessie?
I think that the only thing that separates humans from other animals is our capacity to believe in stories and our sense of wonder when we invest wholeheartedly in the experience of being told a good story. Without that capacity there would be no theatre, no literature, no cave paintings, no country music. The myth of Nessie is enough to keep us entertained because there is insufficient evidence on both sides to conclude she does/doesn’t exist.
What is it like to work on a world premiere musical?
At the very beginning of this process [director Marshall Pailet] said, “I want you to be courageous to try everything I ask of you, at least once.” And I have tried to do that, and that has been what it’s like to work on a world premiere musical. I trust Marshall enough to try everything he asks of me and that has worked out pretty well.
What mysteries or legends captivate your imagination?
I have always been fascinated with the Titanic disaster, even as a small child I have felt connected to that specific tragedy on a very emotional level. I’ve always believed that I might have died on that ship in a previous life which, for me, makes it something of a mystery that has captured my imagination since I could hold a crayon in my hand and draw pictures of a boat with four smokestacks and mysterious floating rocks.
If you met any of the characters on the street, who would you share a pint with and who would make you turn and walk away? And why?
I would share a pint with Captain CJ because I think she could play a good game of darts, and I would steer clear of Haley because she never goes anywhere without [her pet frog] mudpie.
What’s the biggest challenge for you in this production?
Choreography.
How do you prepare to work on a project like this?
Marshall is very into improvisation and exercises during the rehearsal process to help the actor connect the intellect with the instrument. This is something I have not had a lot of experience with. I intend to continue with this; I hope to find an improv class.
What excites you about this story and why should people come see it?
People should come see LOCH NESS because there is no other theatrical experience like this in existence. I truly believe that people will be talking about the production, and if you aren’t able to say, “Oh yes, I saw that too” you are going to feel like a dunce and no one will take you seriously when you try to sound important talking about the theatre.
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