Artist Profile
Hannah Wolf (she/her/hers) is a Los Angeles based director originally from Juneau, Alaska. She makes “subversively shiny” work for the stage that experiments with form, content, and the role of the audience. Recent projects include: Ride Sally Ride by Tara Sissom and Katerina Pruitt (B Street Theatre), She Buried the Pistol by Lydia Blaisdell (La Jolla’s WOW Festival), Instructions for a Séance by Katie Bender (MoHA), Franklin by Samantha Noble (Perseverance Theatre), TITLE LOADING (Fusebox Festival), The Bigot by William Glick, Dry Land by Ruby Rae Spigel, ENRON by Lucy Prebble (UT Austin), and The Sky Game by Kimberly Belflower (Peppercorn Theatre). She’s directed and developed new plays and musicals with the Geffen Playhouse, Perseverance Theatre, Chance Theater, Boston Court Pasadena, Echo Theater Company, and IAMA Theatre Company, amongst others. She co-founded the community-building organization Meet Cute in LA and is an SDC Associate. She’s a 2018 National Directors Fellow, a 2013 Fulbright Research Fellow (Bucharest Romania), and an alumna of Lincoln Center Directors Lab and Soho Rep Writer/Director Lab. MFA: UT Austin.
